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PLOT: The world is changing faster and faster, and traditional art still remains in conservative, autocratic, selfish paths, presented in white cubes. - Remember Boris Lurie's comments:
"THE PRICE FOR THE COLLABORATION IN ART, as in the concentration camps – excremental suffocation. It is not by submission, coolness, apathy, boredom that great art is created – no matter what the cynics tell us. The secret ingredient is what is most difficult to learn - courage."

The Boris Lurie Art Foundation [BLAF] continues to work on the destruction of NO!art with its latest Exhibition at the Jewish Museum in Berlin. BLAF presents a strange compilation of Lurie works repainted by an inexperienced "restorer", on some of which the new paint still shines. The information material explains nothing about the NO!art propagated manifestations by Boris Lurie. The co-director of the Boris Lurie Art Foundation, Anthony Williams, boasts in his speeches about a $100 million inheritance of Boris Lurie, which the Foundation received in a strange way. Moreover, Williams never knew Boris personally, except on his deathbed, let alone on what NO!art actually means. Thus, among other things, he goes as far as to explain the Stalin love of Boris on the grounds that the Russians liberated him in Buchenwald. Fact is: Boris was in the subcamp Magdeburg and was liberated by the Americans, documented in Amikam Goldman's film NO!art man. Conclusion: With money you can propagate the greatest stupidities, to which also some professors and museums devote themselves. If Boris could hear and see this, "he would rotate in his grave".

From 2009 onwards, after the death of Boris Lurie in 2008, the exhibition strategy was determined by Gertrude Stein and her Boris Lurie Art Foundation [BLAF], which absolutely contradicts Boris Lurie's STATEMENTS, his LAST WILL and his STÜTZPUNKT FOUNDATION for NO!art's development. Gertrude Stein wastes Boris' fraudulent monetary legacy and donates it to institutions and museums that create a Boris Lurie exhibition for her convenience. The directors and curators falsify and ignore everything for money, even the roots. more

NEW IN THE ARCHIVES:

Berichte zu Boris Luries Gesundheitszustand und Befinden
     nachdem er seinen Letzten Willen und die Sützpunkt Foundation manifestiert hat
Background Information: Boris Luries Studio 543 E 6

FEEDBACK:

ANDREAS HEUSSER: NO SHOW MUSEUM | Nordamerika-Tour | Zürich | 13.08.2016
DETLEV HJULER über Peter Weibel | Flensburg | 03.03.2016

KONDOLENZ:

Charles GatewoodWE MOURN FOR THE LOSS OF CHARLES GATEWOOPD
He was involved in NO!art and did contribution to the book" NO!art in Buchenwald".
 
Charles died on April 28, 2016 at the age of 74.

ACTIVITIES:

>>> INFOTHE OUTLAW BIBLE OF AMERICAN ART [1945-2016]
Stephen A. Schwarzman Building, Celeste Auditorium | New York
Fifth Avenue at 42nd Street | Wednesday, June 22 | 6pm
Alan Kaufman will present highlights from this underground history, profiling such artists and moments as Boris Lurie and the NO!art movement, Forrest Bess, Ana Mendieta, Ed Clark, Sue Coe, Joe Coleman, Clayton Patterson, The Guerrilla Art Action Group, David Wojnarowitz, and Jose 'Cochise' Quiles.

>>> INFOACKER AWARD | PRESENTED BY CLAYTON PATTERSON
HOWL FESTIVAL
6 East First Street between Bowery and 2nd Ave
March 17 | 7 - 9pm

EVENTS:

INFOTHE LAUNCH OF 12 ROUNDS WITH CLAYTON PATTERSON
Presented by Overthrow Boxing Club New York
9 Bleeker Street
October 5th, 2016 | Celebration 8:30 - 11:30 pm

EXHIBITIONS:

INFOKLAUS FABRICIUS: DAS WOHIN UND WOZU
SCHAUFENSTER
Michas Lädle | Stuttgart/Heusteigviertel | Weißenburgstr. 8
Freitag, 28.10.2016 | 18–20 Uhr

INFOMIRON ZOWNIR + KEN SCHLES + JEFFREY SILVERTHORNE
HAUS DER FOTOGRAFIE
Deichtorhallen | 20095 Hamburg | Deichtorstraße 1
5. Mai – 7. August 2016

INFOKEINE KOMPROMISSE
Die Kunst des Boris Lurie
JÜDISCHES MUSEUM | 10969 Berlin | Lindenstraße 9-14
Eröffnung 25. Februar 19 Uhr | 26. Februar - 31. Juli 2016

INFONYC STREETS | THEN AND NOW
Gruppenausstellung mit Clayton Patterson
Salomon Arts Gallery | 83 Leonard Street | New York, NY 10013
Eröffnung am 14. Januar 2016

BOOKS:

INFOTHE STREET GANGS OF THE LOWER EAST SIDE
By Jose "COCHISE" Quiles & Clayton Patterson
Paperback | 436 p. | 38 images | 9x6" | ISBN 978-0-9857883-4-6 | $ 21.95
The Street Gangs of the Lower East Side "keeps it real." Jose "COCHISE" Quiles provides a brutally honest, self-reflective and moving account of one badass gangbanger's struggle to break the cycle of violence and poverty since birth through creativity and compassion for others. Quiles's eventual redemption Springs from a life spent keeping one foot on either side of the line between good and evil.

DISCUSSIONS:

Annäherungen an Boris Lurie: NO!art und die Verweigerung des Kunstmarkts | Podiumsdiskussion am 13. Juni 2016 um 19:30 Uhr | In einer Diskussion mit unserer Sammlungsleiterin Inka Bertz, dem Kurator Wulf Herzogenrath und weiteren Gästen fragt Julia Voss (FAZ) nach der Beschaffenheit von Luries Radikalität und ihrer Bedeutung für die Gegenwartskunst.

FILM PREMIERE:

INFOBACK TO NOTHING
Film von Miron Zownir
Premiere | Babylon | 10178 Berlin | Rosa-Luxemburg-Str. 178
Donnerstag, 14. April 2016 um 22:15 Uhr

INFODIE KUNST DES BORIS LURIE
Videodokumentation von Rudij Bergmann | Premiere
Michael Blumenthal Akademie | 10969 Berlin
Lindenstr. 9-14 | Montag, 21. März 2016 um 19 Uhr

FILM SCREENINGS:

Shoah & Pin-ups: Der NO!-Artist Boris Lurie | Montagskino mit anschließendem Gespräch am 6. Juni 2016 | Der Dokumentarfilm erzählt von Boris Luries Tabubrüchen und geht in einer filmischen Spurensuche der Frage nach, was den Künstler daran hinderte, angenehmere Bilder zu schaffen. Kommentar

SPEECH:

Der Holocaust und das Problem der visuellen Repräsentation | Vortrag von Peter Weibel am 30. Mai 2016 um 19:30 Uhr | Der Künstler, Ausstellungskurator und Leiter des ZKM in Karlsruhe Peter Weibel spricht über Boris Luries ästhetisches Programm, die zentralen Verfehlungen des zwanzigsten Jahrhunderts visuell erfahrbar zu machen. Kommentar

WEBSITES:

INFO FACESHOTSFACESHOTS
Konzept von Dietmar Kirves
"Anonymisierungen in den Medien"

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