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NO!manipulation

INDEX 1970—1979

1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022

PLOT : More and more involved NO!artists die. Boris begins to prepare an anthology on the NO!art movement, so that the movement is not forgotten and continues to move forward. Vostell, who invented his de-collages through NO!art at March Galerie, launches NO! exhibitions for Boris Lurie. Exhibitions in Germany at René Block in Berlin and Inge Baecker in Bochum. He contacts Armin Hundertmark for further promotion. No reaction. The press reports only in Berlin, because Vostell instigated it. Hundertmark contacts Dietmar Kirves if he would be interested in editing NO!art, because he is constantly bombarded with NO!art material by Boris Lurie and does not know what to do with it. A large jute sack with a convolute of NO!art lies in his closet in the Berlin colony Kleeblatt. Dietmar Kirves is enthusiastic about NO!art and puts it into a form suitable for publication. The following communication with Boris Lurie fills numerous files in the archive. The NO!art headquarters East is created.

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EXHIBITIONS:

Lurie NO!art paintings, Block Berlin, Invitationcard BORIS LURIE: NO!art paintings since 1959
Gallery René Block, Berlin 1973  more

BORIS LURIE: NO!art seit 1959
Gallery Bocchi, Milan 1973

BORIS LURIE: NO!art 1960 - 1970
Gallery Baecker, Bochum (Germany) 1974
 

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MULTIPLES:

NO!art bagBORIS LURIE: NO!art bag | Painted and collaged gunnysack, 35x20x16" | signed, dated and numbered | Edition: 100 examples v 90 x 50 x 40 cm, signiert, datiert und nummeriert | Content: ROSES - plastic roses, iron chain, padlock, 21.6 x 10 x 6", TORNS PIN-UPS - Collage on crinkled cardboard, 19 x 16", SHIT SCULPTURE - brown plastic material, 7.8x7x3.2" | Edition Hundertmark, Cologne 1972  more

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WRITINGS:

LETTER by Louis Aragon, Paris, 1970
YES AND NO THOUGHTS by Lil Picard, New York, 1970
OUTLINE FOR ARTICLE by Barry N. Schwartz, New York, 1970
OUTLINE FOR A PROJECTED TEXT by Arturo Schwarz,
     Milan, 1970

SURVIVING NAZI, Postscript to "Partnershit" by Isser Aronovici,
     New York, 1970

MOMA AS MANIPULATOR by Boris Lurie, New York 1970
SHIT NO! by Boris Lurie, 1970
STATEMENT "ART AND POLITICS" by Boris Lurie, Karlsruhe, 1970
A SHOT IN THE ARM by Jack Micheline, New York, 1970
THE BEAUTIFUL UGLINESS ... by Al Brunelle, New York, 1970
LETTER TO BORIS LURIE by Iris Clert, Paris, 1970
THE MARCH by Fielding Dawson, New York, 1970
TOWARDS A NEW HUMANISM by Jean Toche, Staten Island, NY,
     1970

EYES by Jack Micheline, New York, 1971
EPITAPH FOR A CANADIAN KIKE ... by Seymour Krim,
     New York, 1971

INTRODUCTION TO NO!art ANTHOLOGY by Brian O'Doherty,
     New York, 1971

ART AND THE ALTERNATIVE MEDIA ... by Paul Simon,
     New York, 1971

GOODMAN, LURIE & CO by Erje Ayden, New York, 1972
ARTISTS ARE CRAP by Elmer L. Kline, New York, 1972
NO-ARTISTS REBEL by Gerard Gassiot-Talabot in French language,
     1973

NO!art by Emanuel K. & Rita Shaknove-Schwartz, New York, 1973
GOODMAN N'EST PLUS by Marcel Janco in French language, 1973
BULL BY THE HORNS by Harold Rosenberg, New York, 1974
CURSE WORKS by Boris Lurie 1972-1973, New York, 1975
INVITATION TO "RECYCLING" EXHIBITION by Dov Or-Ner,
     Jerusalem, 1975

CONTRIBUTION TO RECYCLING EXHIBTION by Boris Lurie,
     Jerusalem, 1975

NO BLOOD... PLEASE... by Wolf Vostell, Berlin, 1977

NOTE: Not all past activities are translated in English.. Please skip therefore to GERMAN VERSION with other contributions.

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