VIDEO REPORT | 14:51 min | The video is an excerpt from "BORIS LURIE NO!art MAN," a film by Amikam Goldman. In it the filmmaker documents Dietmar Kirves' conservation and preparation for shipping of an important body of NO!art works that were included in the 2001 exhibition "NO!art" and the Aesthetics of Doom. The film also documents the installation of the show at the Mary and Leigh Block Museum of Art, Northwestern University, and provides an invaluable historical record of a cross section of responses, as these were voiced by diverse members of the exhibition's public. Curated by Estera Milman and funded, in part, by the National Endowment for the Arts, "NO!art" and the Aesthetics of Doom is still counted as the collective's most comprehensive North American retrospective exhibition, to date. | Source: http://vimeo.com/24163613
"NO!art"
and the Aesthetics of Doom
Catalog, 30 Seiten, 26.5 x 22.8 cm
Copyright © May 2001
ISBN 0-941680-20-7
Mary and Leigh Block Museum of Art,
Nortwestern University.
Essay copyright © 2001 retained
by the author.
Image coipyrights © 2001 reatained
by the artists and the NO!art Archive.
Funded, in part, by the National Endowment for the Arts.
Design: Ab Gratama, Iowa City, IA
Opening Remarks
Estera Milman, Curator of the Exhibition and Director of Alternative Traditions
in the Contemporary Arts, The University of Iowa
Writing of the Disaster
Dore Ashton, Professor, Department of Art History, The Cooper Union
Boris Lurie: Self-Representation in the Wake of the Holocaust
Susan Chevlowe, Associate Curator, The Jewish Museum, New York
NO! and the Cultural Politics of the Anti-Canon
Estera Milman
Doom: Art Culture, Cognitive Space, and the Achievement of Discourse
Stephen Foster, Professor Emeritus, School of Art and Art History, The University of Iowa
Adolf Eichmann and Artistic Debates in Germany: The Broader Context for NOlart
Paul Jaskot, Associate Professor, Department of Art and Art History, DePaul University
The Reception of the Art of Boris Lurie and NO!art
in the Context of the Holocaust Debate in Contemporary Germany
Curt Germundson, Assistant Professor, Art Department, Minnesota State University
CONVERSATION
Pick / Michigan Room, Norris University Center
Women Behind the Barricades: Art, Protest and Gender in the Post-McCarthy Era
Harriet Wood, NOIart artist, Dore Ashton, art critic and historian, and Gertrude Stein,
whose gallery was a primary site for NO!art exhibitions, will discuss their experiences as part
of the NO!art artist-activist movement and as women in the art world of the period.
Harriet Wood (Suzan Long), Independent Artist
Gertrude Stein, Gallery Gertrude Stein, New York
Dore Ashton, Professor, Department of Art History, The Cooper Union