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NO!art
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and socio-cultural
action meet.
STUETZPUNKT
FOUNDATION
NO!manipulation |
EXHIBITION:
NO!art AND THE AESTHETICS OF DOOM | The first North American retrospective exhibition devoted to the NO!art collective | University of Iowa Museum of Art | with Armento, Aronovici, Brown, D'Arcangelo, Fisher, Gillespie, Goodman, Kaprow, Kusama, Lebel, Lurie, Picard and Vostell ►more
MULTIPLES:
NO!art MAN BORIS LURIE | Filmdocumentary by Amikam Goldman | New York | "NO!art Man" tells the life story of Boris Lurie as a young artist in New York after World War II through the years he was active with his NO!art Group and into the present. ... ►more
SYMPOSIUM:
SOIR-CRITIQUE / SYMPOSIUM NO!art | University of Graphics and Bookarts, Leipzig | Theodor Adorno and Horkheimer had completed The Dialectic of Enlightenment in 1944, as exiles in the United States, Santa Monica, Cal. It was first published in 1947 by Querido, a major exile press in Amsterdam, one year after Boris Lurie emigrated to the States in the wake of his experience as an inmate of a camp associated with Buchenwald. Apparently not very grateful to the American host nation which had sheltered them as German Jews from the Nazis and protected them from Japanese imperialism (ultimately with the Atomic bomb!), Adorno/Horkheimer had come to view American capitalist society (less than a decade before the rise of McCarthyism) in dangerous relation to fascism. .. Essay by R. Rumold. ►more
WRITINGS:
NO!art AND THE AESTHETICS OF DOOM | Fred Camper, Chicago
IMAGES OF THE HOLOCAUST | Max Liljefors, in Swedish, Lund
THE RECEPTION OF THE ART OF BORIS LURIE ... | M. Reichelt and C. Germundson, Berlin
NO!art AND THE DIALECTIC OF ENLIGHTENMENT | Rainer Rumold, Evanston, IL
BRAINSHOTS: ►Kiss Up Kick Down-Guy + Storm Clouds
FEEDBACK: ►Buchenwald book + How goes

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