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NO!manipulation

INDEX 2020
1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005
2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017
2018 | 2019 | 2020

New Boris Lurie Art Foundation Center +++ Questions to BLAF +++ Artist Residencies +++ Lurie in America +++ Mathilda Wolf's New Works +++ New fighter Franziska Becher +++ Feedback +++ Frontshots +++ VirusWar +++ Frederica de Ruvo +++ Patterson's Slide Show +++ Aldo Tambellini died +++ Covid mask

PLOT: THE UNCOMFORTABLE TRUTH of the art world-market in deep crisis is beginning to show its effect: a long  drawn-out process having had its beginning in Dada and periodically interrupted by countertendencies - not all of them reactionary in spirit - is nearing its completion. Artificial cultivation of decorative and aesthetic values, reckless investment speculation, aided by large numbers of collaborating artists has brought about a situation reminiscent of the last stage of a bull market on the stock exchange. Aesthetically and philosophically the bottom has already dropped out: the mini-movements cultivating aesthetic facets bypassed by the pioneers of modern art, are being groomed, cultivated, enlarged all out of proportion to their art-historical value; even amputated splinters of old rebellious Dada are being enlarged into acceptable - and saleable aesthetic parlor games. ---Boris Lurie

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OBITUARY

Aldo Tambellini portraitWe mourn for the loss of Aldo Tambellini
a friend and catalyzer of the NO!art movement.
He died on November 12th 2020
at the age of 90 years in Cambridge/U.S.A.

obituary

 
 
 
 

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NEW INVOLVED ARTIST

Franziska Becher portraitFRANZISKA BECHER | Concept artist. Her versatile, creative working methods, which are unable to be summed up in one concrete style or topic, make her pieces something very much individual. Her work is characterised by the combination of traditional values, identities and fortunes. Her ability to recognise tendencies in our society in everyday, personal dealings . . . more
 

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EXHIBITIONS

The Center for Contemporary Political Art Washington, DCBORIS LURIE IN AMERICA | He had the Courage to Say NO! | The Center for Contemporary Political Art
Washington, DC |
At this difficult time in our history, it is our hope that Boris Lurie’s legacy, his art and his courage, will serve as an inspiration for artists everywhere to express their political views in their art, to increase awareness and understanding of the political issues we’re confronted with today. more

 

Franziska BecherFREDERICA DE RUVO: HO LA LA | Exhibition
Le Crefard Loire | Saint Étienne/France
09.15. - 10.16.2020

Presentation of hand painted terracotta sculptures. HO JA LA is one of the exclamations that marks the excitement, surprise or disappointment that I love most about the French language. It is with this word that I can easily sum up the different emotional states experienced during the creation of the coins. more
 

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GRANTS

iscp logoCalls for three fully-funded artist residencies| Brooklyn/NY
[1] Open Call for National Endowment for the Arts Thematic Residency on Collectivity at ISCP
| We invite artist collectives working with socio-political ideas to apply for a fully-funded two-month residency, with a $9,000 stipend, by February 21, 2020.
[2] Open Call for the ISCP Lenore G. Tawney Residency for Fiber Media Artists | ISCP is now accepting applications for the Lenore G. Tawney Residency for Fiber Media Artists from visual artists working in, or interested in, exploring fiber media. The two-month fully-funded residency includes living and materials stipends of approximately $2,680 per month.
[3] Salomon Foundation Residency Award at ISCP | Applications for the Salomon Foundation Residency Award at ISCP are now being accepted through April 26, 2020. The award offers a six-month fully-funded residency and $24,000 stipend for an artist under the age of 35 from a country that is part of the Organisation internationale de la Francophonie.more

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NEW WORKS

Mathilda Wolf: MoorflowerMathilda Wolf: My pictures are already within me and they push me to let them out. But when I long for the possibility to paint without difficulties and conflicts it is good to remember that oaks grow strong in contrary winds and diamonds are made under pressure. Then I become fascinated in following the dynamics and impulses of my pictures, their forms and colours and their fantastic imagination. They materialize according to their own rules. The most important thing I have to do is accepting these rules and not try to control or to interrupt the creative process or to destroy the balance by self-willed, obstinate actions. more
 

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MULTIPLES

feedback
COVID PROTECTIVE MASK
Series designed by Natalia E. Woytasik
more
 
  

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VIDEO

Franziska BecherCLAYTON PATTERSON: SLIDE SHOW #1 - working on a new idea with an old friend... this is the first experiment. This is a collection of photos from various points of time in the Lower East East of Manhattan. Future Slide Shows will specifically themed.

more
 
 
 

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Feedback 2000FEEDBACK: Virus thanks Trump +++ Money Acknowledge +++ Gallery Delivery +++ Day of the Plywood +++ Dying of Covid +++ Requiem for the Earth +++ Beware +++ Upside Down +++ I'm a Museum +++ Art in Isolation +++ Kunstraum Closed +++ ISP open Calls
 

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NO!art FRONT

unterstütze Künstler
FRONTSHOTS | Different views from different positions. more

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NEW BORIS LURIE ART FOUNDATION CENTER

BLAF in the country 2020
BLAF now at SRI Fine Art Services, Clifton/NJ | Fontside view

Boris Lurie Art Foundation at Clifton New Jersey
BLAF now at SRI Fine Art Services, Clifton/NJ | Inside view

The Boris Lurie Art Foundation is excited to unveil its state-of-the-art 4,000 square foot space in Clifton, NJ. Award winning architect Julian von der Schulenburg has created a versatile space inspired by the industrial shell of the warehouse-like building. Incorporated into the design is a gallery space where the Foundation can host curators to view the over 3,000 works in its collection. In addition to the viewing area, ample space is provided for open art storage, restoration facilities, an archive room, and a research library.

COMMENT: BLAF does not manage artist grants, instead they support with Boris' millions "poor" museums and galleries, and hides Boris Lurie's art on the outskirts of New York in warehouses that nobody will visit for studies. BLAF is not interested in spreading out Boris Lurie's ideas. Instead, BLAF restricts itself to Boris' early works and keeps historians constantly on the Holocaust track. BLAF totally negates Boris' former friends and supporters. BLAF adorns itself with ignorant professors, art historians and journalists. A "wonderful" example for the mendacious manipulations in the art scene.

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QUESTIONS TO THE BORIS LURIE ART FOUNDATION:

Boris Lurie home
Boris Lurie's home at 66. Street, Uptown Manhattan [Detail 2001]
Boris Lurie Archives Detail 2001
Archives in the cellar at 77. Street Uptown NYC [detail]

■ Which expert was responsible for archiving?
■ Who registered all this?
■ Who's been "cleaning" all this up?
■ Who decided what to throw away?
■ Where are the autographs of Boris and others?
■ Where is the guestbook of the March-Galerie?
■ Motto: Is this art or can it be removed?
■ Why were these places not preserved for posterity as monuments?
This is quite possible with 85 million dollars at your disposal! more

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IT'S GOING ON NOW!

virus war
and also the NO!manipulations by the 91 year old Gertrude Stein

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